Point of view is among the most important elements in a story of any length. It may be the most important because the reader experiences the story though the eyes of the key character to see and feel the action and emotion.
Novelists have the option of writing from the third person omniscient POV, a good way to tell a story. Most of us write from the POV of our own gender. That’s why I’m in a bit of a quandary about writing my current WIP.
My critique group went mad after I read the first chapter that starts when my hero is seven.
"Is this a Y/A?"
That’s something I’d never write. They know me better than that. I must have done something really wrong. I rewrote the first chapter to do justice to the man who saved my life. I was lucky enough to know nothing about him—almost. That freed me to make up his life as long as I followed psychologically believable plot lines. I’m now adding familiar scenery, business and internal dialogue.
But, was my story manly? Originally it was to be called "Man Enough to be a Nurse," The question was would my voice and POV be up to making a man out of a mountain, because he was a very special mountain in my life.
In real life, -- some of you fictionist may still remember real life -- he and I had crossed paths twenty years earlier when he worked as a hospice nurse and I as a volunteer. He left because he didn’t like the Medicare influence; it cramped his view of hospice. He showed up in the nursing home rehab where I was recuperating from my broken arm and femur. When I went into anaphylactic shock after a codeine error, he recognized the symptoms long before I lost conscientness and called 911.
Before and during this time, I’d been observing him. The night before my possible demise, he told me he had just sold his temp agency and would be retiring at age 49. Presently he was working only two nights a week. I know a lot of PhDs who’d take that job.
So how did he get from childhood to hero in 49 years? That is my job: to portray him as he might have been from age seven until the present day, and sound manly.
You'll know if I’m not around as often I must be "with" my hero, the man who was man enough to be a nurse.
Julie Eberhart Painter is the Champagne Books author of Mortal Coil, in which she practices both medicine and law without licenses, and Tangled Web, a story close to her heart. See Julie’s Web site: www.books-jepainter.com The World, the Flesh and the Devil, American Castles and Tahitian Destiny are available from Amazon and Barnes & Noble Her nonfiction e-book, From the Inside Out, a volunteer looks at staying motivated, is considered a best seller on the Net.


































