Wednesday, August 31, 2011
Our Panel of Experts
First, a little housekeeping...
Don't forget, September 5 starts the 3-month giveaway here at TWV. To wit:
The authors at TheWritersVineyard.com are holding a Mega contest to give away over twenty of their top rated novels. From Sept 5 through 11/28, we will hold a drawing every Monday. The post for each Monday will announce which book is being given, the rules, and who won the prior week. Come join us. Lots of ways to win, and while you're there, scan through our posts. We discuss the good, bad, and ugly of writing and the publishing experience.
(And I'll be giving away copies of all my books, so be sure to stop in!)
And secondly, just wanted to let everyone know that THE CURE is still going strong in e-book, and my print proofs are in route, so expect to see announcements soon about the release date of my latest novel. Visit AstonWest.com often, as that's where all my major news usually breaks first.
And now, my post:
I get a lot of blog post fodder from simply wandering around the internet, observing people, and then pondering what I've seen...this stems from the rational, scientific background I have. One thing I've observed is that everyone seems to be an expert. At least, that's how it appears to me. People post on their blogs, or on websites, or internet forums, "the facts" as it pertains to writing, publishing, and books in general. They then go out and promote their information as the gospel, telling all who would listen the wisdom of their words.
Now, everyone is entitled to their opinion, and perhaps I simply need to start putting forth my opinions more frequently, and thus build my reader base. I've always been a firm believer in learning by experience, though. I post my experiences as I've had them, and hopefully my lessons learned will help guide new writers down the path to publication.
But then, perhaps putting oneself out as an expert on writing and publishing is truly how to become successful in the writing business...
Tuesday, August 30, 2011
I was a teenage poet
I confess, I was a teenage poet. Unfortunately, a house fire destroyed all evidence years ago. Perhaps that’s for the best, but it got me to wondering, if I was to do a poll, how many authors began their writing career as a teenage poet?
Thanks!
Sunday, August 28, 2011
The Doldrums...
I've only just had a holiday, and should be refreshed and rejuvenated. But, alas, that is not the case.
Friday, August 26, 2011
INSPIRATION, IDEAS, AND DIFFERENCES
Angelica Hart and Zi
We'd like to chat about what inspired us to write, where we get our ideas, and our creative differences.
About inspiration:
A: As a child, I adored being read to, but I also enjoyed watching the expressions on my family's faces as they read to me. They were as entertained as I reading the adventures of Princesses, of mice, of frogs, of siblings, of witches, and more. These fairy tales inspired me so much that I decided I wanted to entertain my family with my own stories, written, at first, in the cave man style of pictures, and then as I learned to write, by self-publishing my own little books. And, I haven't stopped, going from crayons and paper to a typewriter with a sticky L key to finally computers. I started to write to entertain, and I confess, it is now an addiction that I never wish to cure.
Z: The pretentious answer would be the power and influence I saw in the words of Thomas Jefferson and Abraham Lincoln. And that would be true. But it is more complicated. I wrote the lyrics to a song in high school that captured the social moment and I felt my peers were moved, I was pleased. In college, my Creative English professor confessed she cried after reading my piece, but none-the-less
failed my paper. Thus the tears gave me validation that I was good. I wrote to draw them. Who cares if I didn't understand a dangling participle. My second Language professor failed a paper which I later submitted to a magazine without editorial change, which was published. Again, the validation was in the reason. I wanted to make the man angry. I did, and was failed not out of anything but his bias. But, I must share that possibly the most profound motivation was that of my wooing a woman. Protecting her identity, her pet name to me was Princess Vi. To make a long story a little longer, we were held at a distance because of careers but I know, because she told me so, I captured her heart through my hand-penned letters. We would have been intended but life is never fair.
Ideas and creative differences:
Z: Second question first, every frick-frackin' day we have creative differences. When ever we write this column we explore some of the clashes and how we, via our sense of humor, avoid being charged with first degree homicide. Angelica is didactic.
A: Moi? Am not. Since when did I ever give any evidence of being preachy? I'll answer the first question. Didactic! Sorry, I digressed. As we previously noted on a previous blog we lamestorm. We set aside an entire day where we bring together ideas and like a game of war, we place them in the center of the table to see if one is more powerful than the other. In a single elimination tournament we eventually ascertain that idea which has the least amount of lameness attached to it. Then we research. And if it seems entertaining, we will outline. If not, it will go into our huge circular idea file.
Z: Where Angelica will dig hers out, and bring them back to the next session.
A: Do not...aw...already, I do, but they are such goooood ideas!
Z: Time to agree to disagree.
A: Buy lunch and I'll agree.
Z: Eating is always a running theme with you, isn't it.
A: Your point?
Z: (sighs) Want fries with lunch?
We'd love to hear from anyone interested in what we do. Anyone who writes us at angeliahartandzi@yahoo.com and leaves an s-mail address, we will send you a gift and add you to any future mailings.
Angelica Hart and Zi
KILLER DOLLS ~ SNAKE DANCE ~ CHASING YESTERDAY
www.champagnebooks.com
STEEL EMBRACE by Vixen Bright and Zachary Zane
August 2011 http://www.carnalpassions.com/
THE FABLE OF SIN-SIN CINDERELLA Series
angelicahartandzi.com


My Goal in Life...
While at a softball game, a friend of mine was asked if she wanted a stray Husky that had taken refuge at a residence in a near by town. She shared the information with me, and with eager anticipation my husband and I arrived at the man’s house with great eagerness to take the puppy home.
The town chairman responsible for strays, informed us we were a day late. Although disappointed at my loss, I assumed the puppy was reunited with his family. I wish it were that happy of a story. The man stated that the dog was hit by a car, still alive, but dragging himself around somewhere on his property. He was hoping to find the puppy to feed it chicken bones in the hope that it would choke to death.
My husband Ron and I decided we would locate the injured puppy and take it to the veterinarian that has cared for all of our other pets. We felt if there wasn’t any hope for the black and white Husky, we rationalized our grief, by determining that the veterinarian would make sure the dog would not suffer.
The Veterinarian informed us that the puppy would have succumbed to his injuries and gangrene within a day. But, if they amputated his back leg to the hip, a portion of his tail, and treated the infection the vet felt “our puppy” would recover. We named him Rocky, because of the typical dark raccoon band around his eyes and thanks to our vet, the day after his amputation surgery, on his own, Rocky walked out of the hospital and into our hearts.
I believe we can all learn from the resilience of an animal. Rocky was injured and left to die, and as much as we believed he needed us, it turns out we needed him more. Rocky has changed our lives; we have become more appreciative of the blessings that surround us, things people take for granted. We were a ‘blended family’ and through adding pets to the mix, we became a family. Now, taking the time for walks, camping, swimming, and snow shoeing. After all, we had a puppy to wear out out. Not only are pets enjoyable, but I’ve heard having a pet extends a person’s life span. What a bonus! A sign we proudly display in our kitchen articulates it all, My goal in life is to be the kind of person my dog thinks I am. Because I know they are with us for such a short time, my original writing goal was to write something that would memorialize each of my pets for all eternity. In my action thriller, Bolt Action, my sarcastic detective, Leslie Bolt has as her very own cat, my cat named Baby. I’ve had an article published about Rocky, my German Shepherd named Tucker, and soon my cat Zues will make his debut in my children’s chapter book. I still have a few pets to go, but I’m working on it. Please stop by my website to see a beautiful picture of a few of my babies.
Wednesday, August 24, 2011
Hug a Cover Artist Today
I know you’re not supposed to judge a book by its cover, but I find myself buying a book because I just love the way it jumps off the shelves in front of the rest. I’ve also found myself declining a book too because it doesn’t look like something I’d prefer…just by glancing at its cover.
Sometimes it doesn’t matter how good or awful your story is. If the cover doesn’t draw in a crowd, no one will pause to read the blurb or the excerpt. I find it amazing how little information we give cover artists--maybe two or three pages filled out on a cover art request form for an 80,000-word manuscript-- they’re able to get just the right scene for our stories.
Here’s all the things I can think up that needs to be on the cover of a book.
Title: Sometimes even the font in which the title is written can tell a lot about that story. I’ve noticed a lot of Science fiction stories have a similar font on their titles.
Author: Of course you need your personal brand on there.
Genre: You can usually tell by a mere glance whether it’s romance, mystery, horror, adventure, and so forth.
Mood: If it’s a dark, scary story or a fun, comedic tale, the cover will reveal all.
Who: If there’s one, or two, or more main characters, you can typically discover that by how many people fill a cover. You can tell if it’s an adult or young adult novel by the age of the models too.
When: Is it a historical? Futuristic tale? Present day? Does the story take place in summer or winter? That’s another revelation the cover can disclose.
Where: Small town, big city, one end of the globe to the other, or even in another galaxy, that cover is going to let readers know before they glance at a single word.
Reviews & Taglines: Sometimes, covers will even claim the author as a bestseller or it'll provide a review to guarantee it’s a worthy read. And sometimes it’ll have a catchy little tagline to draw you in further.
And all that goes on a single-inch by single-inch cover.
A picture really is worth a thousand words, and we authors depend on our cover artists to fit our entire story into one. In the next couple of months, I expect to receive the cover for my next Champagne story, The Right to Remain Mine, and I have to tell you, I’m very excited to see it. It’ll be like opening a present on Christmas morning whenever it comes.
What are some of your favorite cover art features?
Tuesday, August 23, 2011
Another First
When I started into the publishing business years ago, I wrote either by long hand or on a typewriter. Most of the computers were monsters, used by industries and very expensive. I'm discounting the small computers introduced into a lot of schools in the late eighties. They didn't do much. The world of the internet was unknown. The only ways to publish a book was to pay someone to publish it for you, convince a college or university you had something worth printing, or if you were lucky, a major publishing house would buy your work. That was it. From conception until it hit the book shelves took a long time. Even with self-correcting typewriters, revising meant retyping and retyping and (you get the picture). And then there was the time of actual production.
If you paid to have your book printed, it was expensive. I know because in my family, two relatives had books printed. Both of a religious nature and both costly. (And not because of the subject matter.) It simply cost a bunch no matter what the book was about.
Of course the colleges and universities weren't interested in modern fiction and heaven forbid you wanted them to publish a romance. They printed scholarly works! Or text books, or theses of graduate students. A romance was certainly not considered scholarly, a text book (despite the claims of some) or even remotely like a theses.
Oh, how things have changed. That's the thrust of my workshop. Where publishing has been and where it's going. I would like to believe I saw the handwriting on the wall years ago, when I sold my first e-book before the turn of the century. I have to admit I was lucky in that what I'd written was what they were looking for at the moment. However, people had absolutely no idea what I was talking about when I said I had a digital book published. At the time people were just waking up to the age of the computer. Sales on my books were at first slim to none.
Now I smile as I remember how people looked at me like I was from a different planet when I tried to explain how to read a digital book. But that was then and this is now. Just the other day, in the doctor's office I saw a woman reading from a Kindle. I couldn't help striking up a conversation and asking her what she thought. She loved it. I see people using digital readers almost everywhere I go these days. Not a lot of course in one place, but a few and those few are growing as more and more people learn how practical reading digitally can be.
So Wednesday I will begin this conference with a history of publishing. I can only hope for those who attend my workshop, I can share my enthusiasm for this new industry, this new world of digital publishing. If I've tweaked your interest you'll find me at Savvy Authors, one of the presenters for their SUMMER SYMPOSIUM.
Allison Knight
Sunday, August 21, 2011
New Clothes and Resolutions
Happy New Year! No, I haven’t lost track of the calendar. Here on Northwest Florida’s Emerald Coast, it is as hot and steamy as you could want an August to be. We all scurry to work before the sun is fully up and wait til twilight to head home, because being out in the midday sun is a little too much like being in a sauna with your clothes on. But I still want to wish you a Happy New Year.
See, after more years than I want to remember as a student and a worker bee in the public education system, I know when the REAL beginning of the year is. Not the bleak midwinter, when we are all stuffed with sugarplums and wassail. Nope, for me, the time for new starts and resolutions is the end of August, when the kids head back to school and the world buckles down to work.
Since my oldest daughter started prekindergarten those many years ago, the day before school starting has always been a little like New Year’s Eve – Out with the old and in with the new. We stack the pristine notebook paper and folders on the counter next to textbooks full of mysterious facts to be learned. I make sandwiches and bag fruit to go in the lunch carrier of choice. (For years that was a plastic box with the cartoon character du jour on it; now it is more likely to be a pricey Vera Bradley insulated bag, but the idea is the same.) And for what seems like the first time all summer, we have a family dinner, with no one MIA at a friend’s house and none of the girls’ various friends and boyfriends in attendance. After supper, the girls and I will wash hair, give each other mani-pedi’s, and lay out the outfit chosen to make a perfect first impression.
And on the first morning of school, we will go in to school and work, eager to move on with the year. What will it bring? There will be triumphs and tragedies, success and sorrow. But it all lies before us, a full year of possibilities.
So in that spirit, I’d like to encourage you to make your New Year’s resolutions. Start off the year with your goals in mind. After all, if you don’t have a destination in mind, it’s hard to get there! We can always amend our goals and plans along the way, but I need to start the year with some idea where I want to be at the end of it.
I’m going to commit myself to more discipline in my writing this year. I’ve found that if I can get myself to start, I can churn out a pretty consistent word count every day. But it is the darn starting that gives me trouble. So my resolution is to write at least 100 words everyday.
That sounds like nothing, right? Not even a page. But here’s the secret – if I get 100 words down, I’m very likely to go into the hundreds or thousands. My problem is making myself get with it – to get the first sentence on the page. I’m hoping that if I tell myself I only have to do 100, I can trick myself into finishing the several books I have up in my head.
What about you? Go wash your hair, get your mani-pedi (or whatever makes you feel ready to go) and pick out your clothes. Make your resolutions and let’s start the New Year right!~!!!
Saturday, August 20, 2011
Bad Author Behavior
There should be a Remedial Courtesy 101 course required for book signing events. I'm serious. I've been at multiple author events many times and always come away appalled and distressed at the total lack of consideration some authors exhibit. And we aren't talking big names who are legendary egotists, though they above all should set a better example. No, these are my peers, those who are with a small press or perhaps independently published who are appearing at the local bookstore. And I am ashamed of many of them. Why, you ask? Here's the Top Ten:
10. They think everything should stop with their arrival--which may actually be twenty minutes late. Sorry but showing up on time is a sign of respect and maturity.
09. They think they can "wing it." They either aren't used to public speaking or they have a higher estimation of their oratory talents than an appreciation of reality. Sign up and attend Toastmasters and learn to scour "like, you know and uh" out of your vocabulary.
08. They expect the bookstore staff to wait on them hand and foot. "Get me a water." Sheesh, you can't even say please? These people are working--and NOT for you.
07. They have no concept of how to choose a selection to read. "I'll read the first twenty pages of Chapter One." Remember KISS: Keep It Short and Simple. And while we're on the subject:
06. They never explain before they read what the listeners need to know. They mumble on and suddenly stop in the middle of a sentence with, "Oh I should tell you that before this, this guy was like you know, wanting a puppy and like his mom wouldn't let him have one, so now he's like found this baby angora goat..." Even if people hadn't dozed off with your first fifteen pages, stopping in the middle is like throwing a bucket of ice water in their faces.
05. They never practice reading aloud, stumbling over words and mumbling in a monotone.
04. They glare at customers who aren't interested in their genre. Hey, not everyone is into the Life Cycle of the North American Maggot and Their Favorite Dead Meat to Eat. Sad but true. Get over it and direct the customer to an author they might like. Or just plaster a smile across your face and stay quiet.
03. They make a ruckus to correct another author. This really bugs me. Yes, people get facts wrong. That doesn't give one a license to go Jerry Springer and stand up shouting. Embarrassing or humiliating another author in front of possible readers only proves what an insecure idiot you are. Sit down and shut up. Talk to them afterwards, quietly, if it bothers you all that much.
02. They drone on and on and on. I don't care if they are a professor at Harvard, if members of the audience are fidgeting, drooling, snoring, or seem to have gone catatonic, it's time to shut up.
And the Number One Bad Author Behavior:
They forget there is any other author in the room, hogging the microphone or the stage, never acknowledging how long they have been denying someone else the opportunity to talk.
Whatever happened to courtesy and manners? Has anyone else had to deal with this?
Jude
Friday, August 19, 2011
Musings on The Other Life
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| My Books at Champagne Books |
The book was enticing because it allows the reader to play with the question in his or her own life and imagine what that life might have been if… It certainly got me to thinking about that crossroad at which I once stood and the choices I made. Would I have become the person I am today had I followed a different path? Would my life have led me to where I am as a writer?
I honestly found myself wishing for that magic portal behind the washing machine in my own laundry room that would propel me into my alternate reality, give me a glimpse of what might have been. Would I still have become a social worker-slash-author relocated to Mississippi, or would I be a wife, mother, and grandmother married to my high school sweetheart and living in rural Pennsylvania? And if I had followed that other path, would I ever have sat down to write a book?
I can’t imagine not writing, but I know the exact moment when that spark flickered and flared into a passion for me. And I can’t say for certain it would have happened in another circumstance.
How about you? Have you ever wondered where you would be today if you’d taken that other path, lived The Other Life that at one time lay open before you?
Linda Rettstatt
2010 Author of the Year - Champagne Books
http://www.lindarettstatt.com/
Wednesday, August 17, 2011
Hometown Book Signing
Tuesday, August 16, 2011
When Should a Series End
What makes us hang on? Is it love for the characters? I'd have to say that's true for me with Jamie and Claire but in some series books the characters change. Perhaps it's just the flavor of the stories, be they western, sci-fi, historicals or any other genre.
I've written a time travel series set in the 1890s in a small Texas town. The first was well-received, and promo for the second is garnering attention. I've just finished the third and am waiting to hear from my editor. I'd never intended to make this a series, but two years after the first story came out I decided people in the present would want to know what happened to the character who disappeared. So, I sent an investigative reporter to the spot and she disappeared too. The ending led me right into the 3rd story. No way could I stop now.
Though the ending for the 3rd story leaves it open for a possible 4th, do I want to travel down that road? I'm not sure. I guess I'll wait and see what readers think.
How about you? What makes you keep reading a series? I'd love to hear your thoughts.
Thanks for Reading and Writing!
Linda
http://www.lindalaroque.com/
Monday, August 15, 2011
What reviewers look for...
Periodically, a plea goes out for “reviewers needed.” The reviewer-in-chief auditions every potential reviewer before okaying them into the reviewer family. Potential reviewers are not always authors or former authors. Some are experienced readers and editors.
As a new reviewer, I’d like to “come out’ and tell you that these reviews are not written randomly. First of all the book must be selected from the review house’s list by the reviewer. The selection is based on genre. A Sci-fi nut is not going to enjoy a historical or Regency period romance. Each writer being reviewed should assume that their book is the kind of read their reviewer prefers when selecting a book for pleasure. Great pains are taken to see that this is the case in well-run, well-organized review houses.
So, what does a reviewer look for before giving an author a high rating? Based on my experience, a good opening hook and consistent pace are the essential firsts. If the hook grabs you and the pace drags, or if it’s too fast to make sense, you will lose your reviewer, and later your reader.
Language appropriate to the time, situation or background of the character speaking is another must-have in a piece of writing. A writer should play fair with the reader – no tricks, such as the protagonist waking up to find the whole mess the reader just slogged though was all a dream. Another valuable trait is a clear voice that supports the place and time of the story.
Nothing bothers me more than to read details about a location or city I’ve been to and know the writer has never been there. Sometimes that section will read like a research paper, or, it can be a washed out, non-distinctive setting that could have happened anywhere between Brooklyn and San Diego or from Cape Town to Edinburgh.
Readers read to escape into the scene and story. They want all the tactile, aromatic, colorful scenic noise of the places they read about. Regardless of length, 3 pages to 28 pages to 500 pages, those details can fit into the tale, even heavily erotic-laden stories. In shorter works, fewer scenes, fewer characters and more distinctive voices will carry the atmosphere. In longer works the writer can go “Gabaldon” on the reader, with details beyond reason or story. Readers of long works love detail.
Writers under review should consider the reviewer as the ideal reader with a penchant for details. The goal is to give an award commensurate with the entire book experience. The reviewer's purpose is to guide other readers to the books they will like. The review is edited through a chain of command to assure that the review is fair and balanced."
The reviewer is also on trial. No one gets off easily once you put your work out there. Keep in mind the review is an opinion.
Julie Eberhart Painter is the Champagne Books author of Mortal Coil, Tangled Web, and Kill Fee to be released in October. See Julie’s Web site at www.books-jepainter.com
Saturday, August 13, 2011
Vacation
I'm going on a four day vacation to the same cottage my family has gone to for fifty years. It was a time share before the concept of time share became common. Sandy beach, beautiful lakefront, and at this time in the year, the water should actually be warm. The cottage has everything but privacy and Wi-Fi connection (I'm suffering withdrawal symptoms already). It really is a place of respite. But have you ever noticed your family can carry unsettling drama with them? There has been that, too. By the time this posts, I'll probably be home recovering from my respite.

It's 5:00 AM, and I'm up, gathering, packing, and trying to get ready, and writing this to post before I leave -- please excuse the mechanical errors and disorganization. Yes, I know, I should have been better prepared and done all this yesterday or the day before yesterday, but I had better,more interesting, things to do. All vacations, even safe ones like mine, seem to need loads of planning and packing. I tell myself I really enjoy this, and I will, and at least I'm not camping. (Those of you who love camping - enjoy, I just don't.) I love and enjoy my sister and her family and we will talk about everything while sharing chores and cooking, talking walks and spur-of-the-moment treks to stores and places of interest.
Have you ever noticed that good, even great, vacations fade into memory, but bad vacations are pulled out again and again, getting richer and funnier with each retelling? Oh, the stories I could tell you... Vacations -- good or bad -- you win either way, don't you?
From Champagne Press
Rhobin Lee Courtright
Friday, August 12, 2011
Less we forgotten


Michael W. Davis
Recently I was asked to review short story submissions from high school students. The winners received small monetary awards. As you'd expect, most were difficult to weed thought yet a few provided reflection beyond the mind of the typical youth. As I sampled the mental wandering of the modern teenager, a pattern evolved. What do you think the three primary themes where? Take a moment...that’s right; romance, confusion, and bullying.
The thoughts created on paper drove me back to a time I'd forgotten. No, not wisps of young amore, rather the shadows of all youth when they struggle to understand the complexities of life. You know, who are we, why does every one hate me, why are some so cruel to others, what are these peculiar emotions I feel about the other gender; stuff like that.
Reading the convolutions of young blood, the turmoil of their adolescent ponderings; it returned me to my own days of asking why, why, why. No, I wasn't unique back then, or weird, or the only kid every hounded by bullies; I was like so many others twisting and turning through the social swamp. No better, no worst, no more confused then anyone else wading up river through the turbulence of youth.
What I really wanted was to whisper to all these kids, it will pass, most of the fog about your surroundings is natural, part of a maturing mind, you will be okay. And those things that remain unclear, they’re the wonder of our brief time on this planet; relish them as curiosities you’ll understand eventually in the next realm. Unfortunately, we're not allowed to interact so they'll just have to claw and scream and stumble like all of us did.
Till next month.
Big Mike
Michael W. Davis (Davisstories.com)
Author of the year, 2008 & 2009
Shadow of Guilt, “To each crossing of paths, there is a reason.”
Blind Consent, “The answers are buried in the secrets of the past.”
Forgotten Children, “Only Sara knows the truth.”
Tainted Hero, “Sometimes good people do bad things.”
The Treasure, “A lonely heart can impair one’s judgment.”
Veil of Deception, “Sometimes truth cuts deeper than a lie.”
Thursday, August 11, 2011
People and Their Work

There are two trends in fiction that make me go cross-eyed with frustration as a reader. Therefore, I try to avoid falling into the same trap as a writer.
One of the trends is especially prevalent in the cozy mystery, and it’s what I call the “gimmick” mystery. The protagonist cooks or quilts or restores houses or knits or loves wine or reads tarot cards or lives with a ghost or something, and everything in the book is defined by what she does. There’s no depth to the character development, or the ability of the character to have an interest in more than one thing, which rings false. The stories are pretty much all the same, and the characters make the same mistakes without learning from them, and it feels like a global replace was used for the gimmick, and maybe a few paragraphs rearranged to suit the gimmick.
Usually, these books glut the market because an author has written a book where the character has a passion for something, and the author has written it very well. Because that original author has done it so well, a few dozen others scramble to join the party, often in pale imitation. They do say imitation is the sincerest form of flattery! Sometimes several unique authors can break out exceptional characters and exceptional writing with the same gimmick, but usually you get a flurry of derivative writing until the next hot gimmick-of-the-moment comes through and the herd chases that rainbow in hopes of publishing gold.
Or, the books rush to the other extreme, and the character suddenly doesn’t have anything else in her life except the plot of the book. The author tells us the character has a job, a career, that she goes to work, but we never actually experience her working. It could be Anyjob in Anytown, not Smith & Weiss Realty in Mt. Kisco, New York, where she has to wear pantyhose and a demure suit, when she’d rather be in a jeans and tank top. And how a person behaves at work gives us a lot of information about the character.
Either extreme break my suspension of disbelief. We all have busy lives. Part of the reason we read fiction is to have a break from our own busy lives and to enter someone else’s, learning how they cope. If all they have to worry about is one thing (unless they’re time traveling or something), I get frustrated. I’m constantly juggling writing projects, teaching, yoga, meditation, the garden, the cats, my family, keeping old friends, making new friends in my own community, volunteer work, following new interests. I want the characters with whom I interact on the page to do the same. I want to see how the cope, to see if I’ve found a kindred spirit or can sigh and relate, and be better at it than I am.
I want characters to have rich lives. Even a character who lives in isolation can have a rich inner life. I want a sense that they had lives before the events of the book began, and that life goes on after the book ends (whether the characters are still alive or not). If they’re at a stalemate in their lives, I want to know why I’m with them at this moment. Why is this a pivotal point in their existence?
What we do, what we’re interested in, and how we relate (or don’t) relate to the world around us says a lot about us. The way characters relate tells us a lot about them. I spent over twenty years working backstage in theatre, television, and film. It’s a very consuming life, and you have to love it and make a lot of sacrifices to be a part of it. You’re working nights, weekends, holidays -- when others come out to play. However, YOU are making it possible for them to play. Relationships backstage evolve very differently than office relationships, and there’s a level of intensity and loyalty even among people who don’t always get along, and who, in an office situation, would avoid each other. People who work backstage relate to each other differently than people do in other professions. Rarely is that depicted in fiction -- it’s usually about bitchy cliches. When writing ASSUMPTION OF RIGHT, I wanted to show the joy and passion people working backstage have for their work, even on the rough days!
If we hate the job we’re in, that’s also going to affect us in a different way. Why do we stay? What fears keep us from doing what we love? What dreams have we given up, and how do those continue to wound us? A sense of misplaced loyalty? Fear of unemployment? Family demands? Do we daydream through the day, not really paying attention to it, then rush home to do what we love? Again, if a character is in this type of situation, we learn a lot about the character by the relationship to work. We spent forty or more hours per week at work -- that’s a huge chunk of our lives. Think about how it affects you, your relationships, your conversations. Would your characters also be affected?
You don’t want to pull too much focus from the plot and story, but so much of the character can be told in terms of their workday, their skill level, and those work relationships that it’s a shame when that area of a character’s life is ignored or trivialized.
--Annabel Aidan is a full-time writer and publishes under a half a dozen names in fiction and non-fiction. ASSUMPTION OF RIGHT is available from Champagne Books. Her blog (under the Devon Ellington name) is Ink in My Coffee and her webpage is here.
Monday, August 8, 2011
Fanfiction and Batman
Yay you, I hear you say.
All this work has left me very little time to write, generally because it's taking up my procrastination time. Which, in turn, means my procrastination is using up my writing time. Oh, what a wonderful cycle.
But I have come across a small urge to write. A couple of weeks ago, thanks to my Batman-obsessed OH, I had a Joker-related dream, in which I came up with an awesome origin for him (No one knows the real origin of Joker, or even his name – though there are a few origins lying around the comic universes). And, yes, my OH demands to be let in on my Joker's origin.
This leads me to just wonder, have you ever had the urge to just go off and write fanfiction, whether you've ever shown it to someone or not? And have you ever taken one of those fanfictions, and managed to twist it into your own world and story, to the point where no one can tell where it started out?
Sunday, August 7, 2011
Too Out There?
Blogs. Twitter. Facebook. Youtube. Google+. Website. Goodreads and many, many more. I'm on them all and I get loud. I get obnoxious. I get...really, really wierd.
At first glance, you'd think it wasn't too much...until I started Youtubing. (oh shazbok, I need a brownie.)
I've had a spike in views on my youtube channel. Either the coming movie of The Hobbit is bringing more "Ringers" to the interest of speaking Elvish and finding my video - which is the first when you search "Speaking Elvish" on youtube - or, more people have just discovered that I can be a frightening spaz...and have been enjoying it.
Hold on...let me explain what I mean by "too much." By that I mean, showing too much of my...unkempt side. The side that makes restaurants kick me out and the grandmother at the park scold me with her eyeballs.
The part that parents worry will rub off onto their chilren. (side note to the parents I personally know: I don't release my unkempt side when speaking to your children. They're safe, I promise.)
As public figures - authors, artists, actors, etc - should we... be professional? Should we strive to be more quiet, mature and adult-like in public, or do you think we can just be ourselves?
For agents, are you thrown off by impulsive, spazzoid people who are trying to get their work represented? Or do you see it as a positive thing? Something that may help attract the public eye?
I don't want to say that the responses to these questions will really bring a personal change to my image; if motherhood didn't do it, I wonder if anyone but God Himself could. But, I am really curious as to the thoughts of readers, writers, agents and publishing houses. How much is too much personality? Is there too much?
Diana Ilinca
www.dianailinca.com
http://www.youtube.com/dilinca
Saturday, August 6, 2011
Parting with Old Books
Friday, August 5, 2011
Writing a Successful Blog
Thursday, August 4, 2011
Perfect Moments, and an Interview
Last Sunday evening, Benjamin Leroy of Tyrus Books called for interviews on Twitter. I reluctantly volunteered (I'm not fond of telephones) and waited anxiously for the 10pm time slot.
As it turns out, Ben was sweet and encouraging. Among other things, we talked about writing, hockey and BAD ICE. The interview can be found here.
Now, THAT'S a perfect moment!
Sandra Cormier is the author of BAD ICE, a hockey romantic suspense.
Wednesday, August 3, 2011
Reality Check
And it makes you wonder, maybe I should do it too...
So, to test this theory, I've self-published two pieces, first (back in December) my Aston West novella Seeker...and then (2 weeks ago), my latest (non-Aston) novel, The Cure. The first, I've priced at the ultra-low 99 cent level (for a 20K word novella), while the latest is available for a more moderate $2.99 (for around a 60K word novel). With these two data points, I'm hoping to give a more accurate reading for would-be self-published authors (and myself) as to whether this golden goose is really as shiny as we'd be made to believe.
A few things to realize about me (for comparison purposes):
-I have been previously published, though by a small press without widespread bookstore distribution, with two books under my belt (Heroes Die Young and Friends in Deed). I also have developed a small niche following based on my series of short stories featuring Aston West.
-I do not have hundreds of thousands of followers on my blog, nor my Twitter feed nor my Facebook fan page. I believe that all of these together net about 1000 people, maybe.
-I do market myself, through my social media outlets, through online groups and webpages, and through visits to conventions from time to time.
-I have a full-time job that I use to fund my writing exploits, so I don't have a lot of spare time to write or market (but I make do with the little time I have).
-I'm generally able to get a new novel finished in about a year or two (see the aforementioned full-time job information), though I've been attempting to better that.
-My two self-published titles are only available in e-book format, though I'm expecting to eventually self-publish a print version of The Cure (and am in talks on bringing Seeker to print as well)
So, all that being said, here's the breakdown so far:
Seeker has been out since (late) December 2010, on Amazon (Kindle) and Smashwords (who has then distributed to such spots as Kobo and B&N (Nook). It's averaged around 2-4 sales most months. With the price point of 99 cents, royalties are low, around $2-3 a quarter (which because of the minimum payment requirements, are being stored up until I sell enough). The sales totals for this book come in around 40 books in the last 7 months. For comparison, my first quarter sales of my two small press books (which are priced at $2.99 and $3.99/$4.99 (depending on the store)) ran 12 and 5 copies each...I have not yet received the second quarter statement.
[For those keeping score at home, my novella sold 13 copies in the first quarter...but at a much lower price point...royalties, however, weren't that much different, which is another post for another day]
The Cure has only been out for two weeks, so more concrete sales numbers will be forthcoming in future updates...though I can say that the "initial rollout" sales are fairly consistent with those I saw with Seeker back in December (and ironically, are running fairly close to the sales of Seeker in the same two-week period). I will note here that after The Cure came out, I did see an uptick in sales of Seeker from June, from 2 to 4
So, I don't really know how often I'll give these updates, but stay tuned for more. And hopefully the numbers that I post will give you a feeling of what to expect from a foray into self-publishing e-books.
Tuesday, August 2, 2011
Part Three: Human versus Vampire
What would you give up for love?
My heroine in my second novel of the Forever Series, Winter Kennedy, goes looking to become a vampire. She has watched her mother die of Lou Gehrig’s Disease, and wants desperately to take a different path. So desperate is she that she has left her nursing position at the Mayo Clinic to travel to
I pondered what I would do, but I’m such a romantic I too would chose love, or why write romance novels at all! But then a better idea presented itself: turn vampire and then turn your mate and you both get to live forever. Which leads to the question: Who wants to live forever?
I write about immortals for the same reason I once heard Ann Rice say she writes about them: we better understand ourselves when we have another creature to bounce our ideas and thoughts off of. So, I leave you with these questions. Just something to ponder on a hot August day. . .


















